Poetry according to A.E. Housman

In The Name and Nature of Poetry, the great Housman writes of his response to poetry:

“Poetry indeed seems to me more physical than intellectual. A year or two ago, in common with others, I received from America a request that I would define poetry. I replied that I could no more define poetry than a terrier can define a rat, but that I thought we both recognised the object by the symptoms which it provokes in us. One of these symptoms was described in connexion with another object by Eliphaz the Temanite: ‘A spirit passed before my face: the hair of my flesh stood up’. Experience has taught me, when I am shaving of a morning, to keep watch over my thoughts, because, if a line of poetry strays into my memory, my skin bristles so that the razor ceases to act. This particular symptom is accompanied by a shiver down the spine; there is another which consists in a constriction of the throat and a precipitation of water to the eyes; and there is a third which I can only describe by borrowing a phrase from one of Keats’s last letters, where he says, speaking of Fanny Brawne, ‘everything that reminds me of her goes through me like a spear’. The seat of this sensation is the pit of the stomach.”

What a line: ‘everything that reminds me of her goes through me like a spear’! 

And how beautifully Housman describes the involuntary physical reactions that Sanskrit theorists have called the sāttvika-bhāvas: stambha (stupefaction), sveda (perspiration), romāñca (horripilation), svara-bhaṅga (voice-cracking), vepathu (trembling), vaivarṇya (pallor), aśru (tears), and pralaya (loss of consciousness).