Just a place to jot down my musings.

Friday, August 5, 2011

Indulge me, por favor

I don’t normally soar away in flights of fantasy; I enjoy feeling grass underneath my feet and sand between my toes far too much. But just this once, I request you, gentle reader, to forgive my rhapsodizing. If it doesn’t make sense, well, it wasn’t necessarily meant to!


So here goes: Each of us is a link in an infinite chain of being that spans space and time. Each of these links is, of course, comprised of smaller links, ad infinitum; each of this links, of course, participates in a greater link, ad infinitum. Do I exaggerate when I speak of twin infinities? Maybe, and maybe not.


What I’m really trying to say is that everything is doubly emergent.


Now materialist reductionism is the idea that things can be understood entirely by parsing them into their constituent material parts. It is a remarkably powerful, persuasive idea, and the basis of much modern theoretical and practical advancement, but according to at least some thinkers, it cannot explain the phenomenon of emergence. For them, an anthill is more than the sum of its parts; similarly, each of us human beings is more than the sum of our parts. There is something about our complexity that is irreducible to the parts that constitute us. (Note that emergence does not automatically reject materialism; it does, however, reject reductionism.)


But at the same time, we ourselves are also parts of a bigger, emergent reality—society, we call it. We take it for granted and thus forget how much of who we are (of our emergent selves!) is both affected and effected by this layer of abstraction that lies atop organized collections of interacting human beings. 


We are different from computers because our operating systems are able to rewire the physical hardware on which they run.


And paradoxically, the more “concrete” and “elementary” our constituents get, the more conceptual and abstract they become! We smash atoms into electrons and protons and neutrons, only to find that these “elementary” particles are probability distributions; we take them apart even further, and are ultimately left with vibrating 26-dimensional strings. And yet somehow causality travels up this chain in powerful, largely well-understood ways!


We have become accustomed to thinking of causality purely in instrumental terms. In that sense, it is of course true that it is the parts that alter the whole. But we forget that the word “cause” used to have a much wider sense. What we think of as the “cause” these days is only the Aristotelian “effective cause”. We have forgotten that other “causes” exist and have real effects. The “formal cause”, for instance, can be seen as the way in which higher layers of abstraction limit and direct lower layers. Again, this does not necessitate a belief in a Platonic realm of Forms. When a carpenter builds a chair, it is obviously true that his tools operating on the wood are the “effective causes” of what is produced. But is it not true that a “formal cause”—an understanding of what it means to be a chair, which is necessarily influenced by his social position—also has a part to play in this? We no longer think of this as causality, but as a result we are unable to fully grasp what’s going on here. Causality goes both upwards and downwards (and maybe sidewards as well!) over the web of existence.


Levels of description matter. “Romeo loved Juliet” is as true as “a certain well-structured collection of organic compounds produced certain levels of serotonin and oxytocin in the presence of a similarly well-structured collection of organic compounds”, but they don’t mean the same thing. Even if you ignore the fact that Romeo and Juliet are literary figures! Levels of description matter, and although the same truth can be expressed at different levels, it is significant in different ways at those levels. This is very similar to Karl Popper’s “Three Worlds”, but I think “Three” is too much and too little: too much, because there is only one world; too little, because that one world exists and interacts at many, many different levels. This is not the same as saying there are “Two Truths”; there aren’t, and there cannot be. But the same truth can be expressed at different levels.


Some who face this tower of concrete-yet-abstract layers dismiss it all as illusion or as emptiness. I think the exact opposite is the case. This is reality: a unified whole, an infinitely diverse, infinitely layered, fractalorganic tower that grows, breathes, becomes self-conscious, tries to comprehend all of itself, and shrinks.

No comments:

Post a Comment

Why pearls, and why strung at random?

In his translation of the famous "Turk of Shirazghazal of Hafez into florid English, Sir William Jones, the philologist and Sanskrit scholar and polyglot extraordinaire, transformed the following couplet:

غزل گفتی و در سفتی بیا و خوش بخوان حافظ

که بر نظم تو افشاند فلک عقد ثریا را


into:

Go boldly forth, my simple lay,
Whose accents flow with artless ease,
Like orient pearls at random strung.

The "translation" is terribly inaccurate, but worse, the phrase is a gross misrepresentation of the highly structured organization of Persian poetry. Regardless, I picked it as the name of my blog for a number of reasons: 
1) I don't expect the ordering of my posts to follow any rhyme or reason
2) Since "at random strung" is a rather meaningless phrase, I decided to go with the longer but more pompous "pearls at random strung". I rest assured that my readers are unlikely to deduce from this an effort on my part to arrogate some of Hafez's peerless brilliance!

About Me

My photo
Cambridge, Massachusetts, United States
What is this life if, full of care,
We have no time to stand and stare.
—W.H. Davies, “Leisure”