Godā Stuti, 8

bhoktuṃ tava priyatamaṃ bhavatīva Gode
bhaktiṃ nijāṃ praṇaya-bhāvanayā gṛṇantaḥ |
uccāvacair viraha-saṅgamajair udantaiḥ
śṛṅgārayanti hṛdayaṃ guravas tvadīyāḥ || 8 ||


To enjoy Your Beloved
the way You do, Godā,

Your elders

        singing their own devotion
                with feelings of fondness and reverence

adorn their hearts
        with a variety of tales
                born from union and separation.

Notes
The "elders" here undoubtedly refer to the other Ālvārs, the saints of the Śrīvaīṣṇava tradition. Śrī Vedānta Deśika refers here to Godā's unique position among the Ālvārs, as the only female and as the only saint who is apotheosized into an actual consort of Viṣṇu. Thus, while she would seem to occupy a lower social position than many of the other Ālvārs by virtue of being a young girl, she has achieved something greater by becoming the bride of God, so to speak. Thus, Śrī Deśika claims in this verse, the other Ālvārs, who sang sincerely of their own feelings of love for God, made use of the emotions of śṛṅgāra, routinely but (in my opinion) crudely translated into English as "erotic sentiment". For Godā, though, this mode was the entirely natural way of singing her devotion for God.

It is also worth noting that in Sanskrit literary theory, śṛṅgāra is described as existing in two modes, vipralambha-śṛṅgāra (aestheticized love-in-separation) and saṃbhoga-śṛṅgāra (aestheticized love-in-union). Godā sings extensively in both modes in her Nācciyār Tirumoli.